I raved about the last issue of THREE in a previous post, so I was really pleased to see that THREE #2 is continuing solid, compelling work by queer creators. That's a tall order, considering the amount of praise the title has received as well as Ignatz nominations for one of the previous issue's pieces.) Again, the concept: THREE is an anthology by queer comic artists edited by Rob Kirby (you know him from BOY TROUBLE, CURBSIDE, and the particularly excellent STRANGE-LOOKING EXILE) in which each issue contains 3 new stories by three different creators or groups of creators.
It's an excellent production and one of my current favorite titles. This issue features three really different stories. The first, "Dragon" (written by Sina Evil with art by Jon Macy) is beautiful, sexy, playful, complicated, and a little heartbreaking: it's the story of two comics artists who meet for dinner and something a bit more beyond that. It's a story about sex and desire, but also about self-discovery. Evil's storytelling pace is superb (it's his first time writing a comic and not drawing it himself) and Macy's art is by turns smouldering and playful. It's a standout piece and a beautifully done collaboration.
The next piece is a playful cartoon jam by Jennifer Camper and Michael Fahy called "Help Wanted" that's a lot of fun. I can't tell you too much abnout the story without giving away plot twists, but it's about Raoul, his boyfriend and boss Leo Rinaldi, Lana (sister of Leo and swanky airplane pilot), the secrets of the samba, and ... well, you've have to read it to find out what happens next. It's a delight that I don't want to ruin for you, but it's one of the most fun cartoon jams I've read in a long time.
The final piece in this issue is "Nothin' But Trouble" by Craig Bostick and David Kelly, which employs very evocative color work. The story initially follows Jimmy, a guitarist and singer, who picks up a fella named Butch, in a love 'em & leave 'em story with a twist. Midway through the story shifts from Jimmy's perspective to Butch's, and the different color backgrounds of the story begin to make sense -- red for Jimmy and aqua for Butch. It's a love story with a couple of twists, but make sure you pay attention to what's playing on the radio in the background on the story's final page.
Overall, THREE is well worth reading for a lot of reasons; the artwork is always excellent, the stories consistently compelling, the series production is one of the most professional I've seen, and the content is diverse, beautiful, and inspiring. I can't wait for THREE #3, which will have work by one of my favorite folks in comics (Carrie McNinch), work from Ed Luce (which looks adorable and full of bear fellows), and a cartoon jam with folks like Diane DiMassa, Howard Cruse, Ellen Forney, and more -- including Rob Kirby himself.
Just order the collection. You're gonna fall in love with it too.
THREE
#2 (June 2011)
Rob Kirby
curbside2@earthlink.net
www.robkirbycomics.com (orders via paypal)
$6.25 US / ? Can/Mex / ? World
trades: maybe "for appropriate/similar stuff"
Half-legal (8.5 inches tall x 7 inches wide)
32 all-color pages
Who and What We Are
Xerography Debt is a review zine for zine readers by zine writers (and readers). It is a hybrid of review zine and personal zine (the ancestor to many blogs). The paper version has been around since 1999. This blog thing is are attempt to bridge the gap between Web 2.0 and Paper 1.0. Print is not dead, but it is becoming more pixelated.
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