OPUNTIA 69.1C (June 2010), 70.5A (July 2011), 70.5B (August 2011), 71 (Sept 2011), 71.1D (Jan 2012), 248 (April 2012), 251 (Stampede 2012), 259 (Feb 2013)
16 pages (all issues), 5.5 x 8.5, $3 "cash for a one-time sample copy, trade for your zine, or letter of comment." (Note: Americans, please don't send checks; bank fees to cash them are high; US banknotes are better.)
Calgary, Alberta, Canada, T2P 2E7
Okay, so I obviously have some catching up to do. Here's the story: Whole-numbered OPUNTIAs are sercon, x.1 issues are reviewzines, x.2 issues are indexes, x.3 issues are apazines, and x.5 issues are perzines. However, Speirs writes in issue 248 that a lengthy project has shifted his writing, and so future issues will be a mix of articles and reviews, and getting more time-sensitive work published (uh, unlike me, apparently. Sorry, folks.). Issue #71.5 was the 247th issue, so...that's how we got to #248 and part of why that list up there is so initially baffling-looking. Dig? OK.
So, in this span of issues, we've got a good range of material, from earthquakes ("Shaking All Over" in #259), H.P. Lovecraft (#251), work and retirement (#70.5A) along with some really cool photographs and a very funny story about what a factory worker did on his last day of work to his alarm clock, trains, travel, and construction -- along with some intense mountain driving (70.5B). It's a pretty wild mix of different topics, but interesting reading nonetheless. I kind of lean toward the perzine ones, but there's something here for everyone.
Who and What We Are
Xerography Debt is a review zine for zine readers by zine writers (and readers). It is a hybrid of review zine and personal zine (the ancestor to many blogs). The paper version has been around since 1999. This blog thing is are attempt to bridge the gap between Web 2.0 and Paper 1.0. Print is not dead, but it is becoming more pixelated.